My work is created with strips of recycled paper collected from magazines, flyers and papers found in my daily life. I am intrigued with the colors and textures in everyday printed matter. Coiling is a very tedious and time-consuming process, it takes countless hours to roll enough strips of magazine pages into coils to create anything of substance. It is an intuitive and ongoing visual experiment.
Each piece begins with a fleeting idea that comes by chance. My mindset is programed to think paper, circular coils and the natural evolution of the product used. Like a puzzle, the composition evolves one piece at a time. I continue to cut, roll and otherwise manipulate possible elements, making decisions about what works and what is needed next to complete the composition, balance, movement, and growth.
Mix media paper mâché, paper coils, and a blooming pattern paper crown
Verugated paper mache sculpture stands on two thermal paper pointy legs. She wears a fuzzy yarn collar as the hand-twisted pattern paper tendrils that fan outward, culminate in a bursting spray of blooms.
White heavy duty paper rings cover a brown pattern paper domed shell give rise to a dense spray of long, white, tendrils. Hand-twisted cord from heavy tissue paper, the tendrils arc outward ending in blooms.
A sculpture constructed from recycled pattern paper, yarn, and found materials. A rounded form transitions into woven fiber and hand-twisted paper tendrils that fan outward in a bursting spray. Anemone rests on two tapered, cone-shaped legs.
White thermal paper tentacles tipped with silver pins give rise to a dense spray of long, corded tendrils. Hand-twisted from salvaged pattern paper, the tendrils arc outward and are finished with touches of white acrylic paint.
White card stock and blue print privacy envelope rings with thermal receipt paper buds on a willow and paper mâché structure
Crafted from paper maché pods, their bulbous forms are wrapped in concentric paper quills and paper cones; like the tight spiral of growth rings or the eyes of ancient coral. Within, they hold the detritus of consumption: tiny fragments of plastic and packaging, reimagined not as waste, but as core and seed, as if even refuse can germinate into meaning.
Their crowns spill over in a wild, straw-like cascade; recycled raffia gifted by a local business, evoking the tangled roots of a sprouting plant or the soft waving arms of a sea anemone. Earth and ocean meet here in form and feeling.
Anemone VI and X are captivating sculptures meticulously crafted from recycled materials, embodying a harmonious blend of nature and artistry. Standing tall with organic silhouettes, each piece is composed of innumerable hand-rolled rings of card-stock, thoughtfully arranged in varying diameters. This meticulous construction results in a honeycomb-like texture that lends both depth and a tactile richness to the surface.
The sculptures’ upper sections gracefully transition into clusters of smaller rolls made from privacy envelope paper, evoking the delicate intricacy of seeds poised for growth. Atop these, bushels of slender tentacles extend outward, fashioned from meticulously hand-rolled patterned paper cords. These paper-like tendrils fan gracefully, reminiscent of withered petals or the gentle sway of sea anemone arms beneath the ocean’s surface.
Together, these elements create a mesmerizing interplay between the natural and the otherworldly, seamlessly merging marine aesthetics with botanical motifs. Beyond their visual allure, Anemone VI and X emphasize sustainability, transforming everyday materials through careful craftsmanship into evocative works of art that celebrate renewal and the beauty of the repurposed.
Anemone X - is a striking piece crafted from recycled materials. It features a tall, organic form built from countless hand-rolled rings of cardstock arranged in varying diameters, creating a honeycomb-like surface that gives the piece texture and depth. The upper portion transitions into a cluster of tightly packed, smaller rolls made from privacy envelope paper, resembling delicate seeds. Emerging from the top are dried, crumpled, paper-like elements, fanning outward like withered petals or sea anemone tendrils. The overall effect is both natural and otherworldly, blending the aesthetics of marine life with botanical forms, while also emphasizing sustainability and transformation of everyday materials into art.
Recycled paper spore with salvaged raffia and magazine cones, tentacles and domes
Recycled pattern paper pod with same paper cord and purple edged book paper seeds
Recycled heavy paper rings on pattern paper shell with paper cord and colorful buds
Willow branches & Paper Mâchè structure with salvged raffia weave used for packing at a mass store
willow branches & paper mâché structure filled with non perishable trash to save it from ending up in the landfill. Covered with paper circles I made out of salvaged and recycled privacy envelopes, the ones that come in the mail with bills even when you sign up for online payments. I completed with seeds made with white seeds, topped with a floral crown I made out of recycled plastic straw protective paper sleeves I have collected from others through the years to resemble the antennae of anemones and painted the top part of the anemone fade to black
willow branches & paper mâché structure filled with non perishable trash to save it from ending up in the landfill. Covered with paper circles I made out of salvaged and recycled heavy paper and light card stock. Completed with seeds made with privacy envelope paper seeds and topped with a floral crown I made out of recycled pattern paper collected through the years, they resemble the antennae of anemones Waiting for this moment of inspiration. I feel I t was worth the wait. Every sculpture I make is worth the wait for inspiration…
wire & paper mâché structure filled with non perishable trash to save it from ending up in the landfill. Covered in New Yorker magazine paper and envelope seeds. This sculpture took me about 12 days to assemble; I used the left over monochromatic paper coils, quills and so on from all my previous pieces but had to make most of the seeds in real time. The top is made of short strands of paper cord I made out of recycled pattern paper.
White magazine quills with envelope seeds and colorful paper buds on a willow and paper mâché structure
recycled New Yorker Magazine quills with thermal receipt paper tentacles & privacy envelope seeds on a recycled gift tissue paper maché and willow branch structure
Mix Media Assemblage Sculpture
Willow branches, Paper Mâchè & non perishable waste filled coral with New Yorker and thermal receipt paper buds topped with a ss round head pins.
Mix Media Assemblage Sculpture
Willow branches, Paper Mâchè & gravel structure with a recycled pattern paper mâchè and woven cord with recycled paper buds
willow branches & paper mâché structure, filled with non perishable trash to save it from ending up in the landfill. Covered with paper quills made out of recycled black & white magazine paper and peppered with colorful seeds. She stands like a millepede on a myriad of tippy toes and looks toward the sky with her proboscis guarded by her white acrylic paint tipped recycled guitar strings tendrils.